Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.  Related Paintings of Correggio :. | Madonna with Saint Francis | Adoration of the Magi | Assumption of the Virgin,details with Eve,angels,and putti | Virgin and Child with an Angel | Venus with Mercury and Cupid |
Related Artists:
Anthony Vandyck Copley Fielding
English 1787-1855
Sir John Everett Millais
English Pre-Raphaelite Painter, 1829-1896 Millais showed a prodigious natural facility for drawing, and his parents groomed him from an early age to become an artist. His father was a man of independent means from an old Jersey family. He spent his childhood in Southampton (where his mother's family were prosperous saddlers), Jersey and Dinan in Brittany, before going to London in 1838. After a brief period at Henry Sass's private art school, he was accepted into the Royal Academy Schools in 1840, its youngest-ever student. He won a silver medal there in 1843 for his drawing from the Antique, made his d?but at the Royal Academy exhibition in 1846 with the accomplished though conventional history painting Pizarro Seizing the Inca of Peru (London, V&A) and won a gold medal in 1847 for the Tribe of Benjamin Seizing the Daughters of Shiloh (priv. col., sale cat., London, Sotheby's, 21 Nov 1973, lot 44),
Andrea Vanni
Italian Byzantine Style Painter , ca.1332-1414 was an Italian painter of the early Renaissance. He was born in Siena, and in conjunction with Bartolo di Maestro Fredi, began to paint in 1353. He seems to have been important in Siena, having been elected a member of the Great Council in 1370, Gonfaloniero in 1371, sent as Envoy to the Pope at Avignon in 1372, on a mission to Florence in 1373, and again as Envoy to the Pope at Naples in 1384. Many examples exist of his paintings between 1353 and 1414 in Naples and its vicinity. At the chapel of St. Catherine of Siena, in the church of San Domenico, Naples, can be found the remains of a fresco painted by him to commemorate the life of that saint, who was a correspondent and perhaps a relation of his own. A letter from St. Catherine to Vanni survives. About the year 1400,